Image © Elaine Bull, 1984
The Basics |
Place of Origin:
Ruislip, Middlesex, UK
Editor:
Elaine Bull
In
Production:
1992-96 |
Distribution Media:
Audio Cassette
Tape Lengths:
#1-13, 15: C-90; #14: C-60 + C-90
Issues Produced:
15 |
“All over
the world people are freaking out! Why?
Because they forgot to order their copy of Spotlight.”
Created and contributed to
by Doctor Who fans, Spotlight was a rare non-Who
tapezine which ran for an impressive 15 issues and became – in one way –
unique among tapezines. Ruislip-based Elaine Musselwhite (née Bull) had
been a fan of Doctor Who from a very young age. She entered the
world of Doctor Who fandom in 1987 and quickly established
friendships with like-minded Who fans. At that time, fandom was a
hive of creativity and many of Elaine’s new friends were producing
fanzines and tapezines – and she was soon invited to participate in this
vibrant cottage industry.
Elaine recalls, “I’d had the
very good fortune of contributing to a small selection of fanzines,
writing articles, stories and doing the odd cartoon under the title,
A Load Of Ole Bull. I had some copies of
The Master Tape,
UNIT and
Doctor Who 2000, but
mainly I had heard Rayphase
Shift and Death Zone.
I also came by the Black Box
Club, which featured quite a bit of Doctor Who. The whole
idea of tapezines sounded like a lot of fun. So, when I was asked to
contribute to Nick Goodman’s tapezine Rayphase Shift (RPS
for short) I jumped at the chance of recording articles and submitting
the occasional piece of cover art.”
It was during this time that
Elaine honed a style that worked for her, experimenting with
straightforward reviews and off-the-wall improvisation. The latter
involved frequently challenging the limits of the audio medium, as
exemplified in her wonderfully uncoventional feature explaining how to
make cardboard cut-out figures from Kinda!
“There were a lot of very
witty and imaginative people working on RPS and I never really
felt I was quite up to their standard. However, it was a good learning
ground and I was enjoying my return to recording. I had caught the bug
as a small child and progressed to ventures on tape with my childhood
friends Helen Green and Deborah O’Reilly (later Raikes) – the latter
being titled A Load of Bull and O’Reilly and consisting of drama
and song.” As she grew into her teens and then into Doctor Who
fandom, Elaine remained at ease with the microphone, regularly recording
taped messages for friends. Recording items for tapezines was therefore
a relatively smooth transition for her, almost second nature.
Within Elaine’s circle of
Doctor Who friends, there was inevitably a cross-over of interest
with other programmes, both within the same genre and beyond it. Some
shows that came up in conversation were ones that everyone had grown up
with and remembered, while others were less familiar, and some were new.
Rather than simply devise her own take on the Doctor Who
tapezine, Elaine realised that these cross-overs pointed the way ahead
for her own production. “Finding myself getting into the world of fan
audio, I decided in the early 1990s to have a go at making a tapezine
myself – mainly because I had so enjoyed contributing to RPS,”
remembers Elaine. “However, I felt that unless I could come up with a
totally original angle for mine, it might not be different enough from
the other Doctor Who tapezines on the market. I decided not to do
Doctor Who on its own as there were a lot of Doctor Who
ones out there. My friends and I were all interested in other television
stuff – a wide variety of cult television programmes – and for this
reason it seemed the best option to go for a mixture and make a cult TV
tapezine. Of course, back in 1987, the Sonic Waves Media Magazine
had combined Doctor Who content with features about other series
and genres, but I was totally unaware of this production until much
later.”
Admittedly, the idea of a
cult TV tapezine was not new, but no one had made it a success: Alan
Hayes had ended Sonic Waves Media Magazine after a
poorly-performing first issue, and Elaine’s friends, Paul Chandler and
Keith Musselwhite had both tried launching their own TV tapezines –
ALBOE and Power respectively
– but neither had got far enough to be published. Elaine was about to
buck that disappointing trend and make her own TV tapezine – with a
modicum of Doctor Who sprinkled in for good measure – a
long-running and popular title.
Spotlight was
unleashed in December 1992, and the world had certainly changed since
the days when the Sonic Waves Media Magazine had failed to
attract an audience. “Spotlight arrived at a time of change,”
Elaine explains. “Doctor Who was no longer on TV and fans had
begun to open their minds to other programmes. That process and the
enthusiasm of Nick and Keith are what inspired me to do something in
this vein. There was, though, very much of a Doctor Who thread
running through Spotlight, even though I didn’t necessarily want
to do a single-focus Doctor Who tapezine. There were plenty of
other features which were of interest to many listeners and
contributors, but the majority of those who were involved and who
listened, loved Doctor Who. For me it seemed the natural course
to take to make Spotlight about so many things, but with
Doctor Who being a big love, it was bound to be a strong theme that
bound it all together.”
In terms of its subject
material, Spotlight cast its net wide, going wherever the muse
took it. If Elaine wanted to cover comedy programmes, they got covered.
If a children’s show took her or one of her contributors’ fancy, that
made the cut, too. Regular contributor Nick Goodman recalls that
Elaine’s open-minded approach to submissions led him down unexpected
paths: “My own tapezine Rayphase Shift and Spotlight were
in production concurrently for about three years. It was always fun to
‘hop over the fence’, so to speak, and opine about things non-Who.
You could go mad – once I even covered The Oprah Winfrey Show!”
The first issue began with
an offbeat, chatty introduction by Elaine and Paul Chandler, who was at
the time working regularly with her on the earliest episodes of
Sutton Park, his video soap opera. The tone was quickly set. It was
friendly, light-hearted and informal, and Elaine’s editorial approach
was to be flexible and go with what her listeners and contributors
wanted. “A lot of my customers were people I was friends with anyway,”
Elaine enthuses. “I had the good fortune of having a decent pool of
contributors including some who were RPS veterans. Several
others, though, were getting their first experience of working on a
tapezine, such as Richard Hague, a chap who was lodging next door,
Graham Walters and John Fisher.”
Elaine reflects on the
Spotlight team:
Keith Musselwhite... “My first encounter with Keith was thanks to
Nick Goodman and a VHS tape of Terminus that also included some
Doctor Who songs that my childhood friend Deborah and I had
recorded as The Inflatable Dolls,” comments Elaine. “Keith saw the video
and asked me if we would like to do the cabaret at his Doctor Who
convention, Shangri-La 1988. We declined, but our friendship began.
Keith was also working on tapezines of his own and contributing to
others. Over time, Keith and I became an item (and later married) and
his involvement in Spotlight increased, leading to several joint
features. Keith brought his wry and witty humour and an attention to
detail to the ’zine.”
Nick Goodman... “Nick and I were Doctor Who pen friends.
Spotlight allowed Nick to highlight his writing and film making –
and, of course, he also submitted a selection of amusing and informative
articles for me to use.”
Chris Barnatt... “Chris, a Doctor Who fan in my locality,
replied to a post that I placed in Celestial Toyroom, the DWAS
newsletter. His articles were laced with his dry-humoured wit – and he
was always more than happy to contribute to Spotlight. Chris
produced several animations which featured on the BBC’s Hart Beat,
as well as his own animated series pilot, which was narrated by Ian
McCaskill.”
Paul Chandler... “Paul came to my attention through Nick, for
whom he was working on Rayphase Shift. Paul was also making his
own video projects, and it was when I became involved in these that I
collared Paul for Spotlight. Paul’s usually quite daft but funny
sense of humour percolated through into the articles that he submitted.”
Jon Kolchak Pertwee... “Another Who friend, Jon could
impersonate a number of well-known celebrities, and using this talent he
would record little interludes for Spotlight that went between
the main features. Jon also contributed articles of his own.”
Greg Walter... “An American penfriend who, along with Joe Parlin,
made a Doctor Who serial which I featured on my tapezine. Greg
also submitted articles that were somewhat more serious than the norm
for Spotlight, but it was nice to have a take from across the
pond. The trend continued when overseas fans Karen Parks and Betty
Nugent also became involved.”
Andrew ‘Trowby’ Trowbridge... “Andrew was very much involved with
the Salisbury Doctor Who Local Group, and therefore became
involved in Nick’s tapezine. He gladly involved himself in Spotlight
and submitted a number of witty and entertaining articles on a variety
of programmes. He also advertised his own production, Spectrum, a
collection of TV spoofs written himself and others.”
Graham Walters... “Another of my long-standing Doctor Who
friends, Graham was a big supporter of Spotlight. It gave him
access to others in fandom and he was more than happy to contribute
articles. Quietly spoken, he provided a more straightforward, serious
element to proceedings.”
There were many other
contributors thoughout Spotlight’s life: Darren Powis and his
friend Mike Joy wrote a few articles including a humourous look at
Spotlight from their perspective; Peter Dickinson wrote articles and
asked Elaine if she would narrate them on his behalf, which she was more
than happy to do; and others like Andy Ching contributed with a view to
getting their creative endeavours out to a wider audience. “There were
so many others involved in some form or another,” says Elaine. “Even my
young nephews Steven and Mark Bull, who visited regularly, were always
up for a recording session!”
Elaine’s means of recording
Spotlight was not dissimilar to that of other tapezine producers:
“I had a double deck Hitachi ‘Super Woofer’ with three speakers, and all
of my Spotlights were done on that. The majority of the
contributors were based around the UK and in America, so it wasn’t
always feasible for us to get together during the week for the recording
of each issue. However, the articles would be sent in by post and I
would then set to work putting the articles together with links and
fillers on my ‘Super Dooper Woofer’, as I affectionately dubbed it, in
my then-bedroom of the family home. A lot of the material was recorded
individually, so there wasn’t the banter between friends, apart from
with Keith. We did some parts between us which inevitably ended up with
us laughing a lot.”
Elaine drew all of
Spotlight’s cassette covers herself: “The tape cover of Issue 1
depicted a Cyberman waiting in the Casualty department of Holby City –
Doctor Who was never far away from my tapezine! The back covers
of each issue would sport some text which would reflect the content of
that issue. For instance, Issue 4 proclaimed that listeners should
“Boldly go and plug yourself into Issue 4. It’s incredible, Captain!”
and Issue 6 stated that “You are invited to 90 minutes of fun. A
stranger lies dead at Arlington Grange, but that’s their problem…”
Elaine’s sense of humour
extended to her presentation, as Nick Goodman remembers: “Another show I
wrote about for Spotlight was Doomwatch and what happened
with it demonstrated just how close-knit the tapezine community was back
then. I was being a bit cheeky as the article was one I’d recorded
previously for my Australian friend Neil Hogan’s SF 2000
tapezine. For some unknown reason, Neil had unceremoniously chopped it
up and stuck the second half on another issue. I was a bit miffed about
this and it prompted me to revisit the piece for Spotlight. I
rewrote it and had better quality clips to include, too. However, Elaine
knew what had happened and couldn’t resist teasing me. A minute or so
into the new-sounding Doomwatch article, she interrupted it in an
Australian accent: ‘Sorry, Nick, we’ve got to stop you there...’ before
apologising and running the rest of the article!”
During its
three-and-a-half-year, fifteen-issue tenure, Spotlight covered a
wide variety of television programmes, including The Changes,
Henry’s Cat, Sapphire and Steel and Top of the Pops,
to name just a few. Its contributors raided the television and audio
world for both little-known fancies and die-hard favourites, providing
the listener with a wide variety of non-stop topics and possibilities
for their own exploration. An example of this rich texture is Richard
Hague’s article in issue 1, in which he looks at the scrapped Channel 4
animation series Scumbag, giving insights into a show that didn’t
make it!
The spotlight was not just
shone on television, though. It was not unknown for Doctor Who
tapezines to produce homemade stories and skits. Spotlight went
further, exploring original drama. “The ongoing dramas were offered to
me by contributors. I was more than happy to let friends showcase their
creativity,” says Elaine. These included the Walters/Parlin Doctor
Who serial, an episodic audio adaptation of Nick Goodman and Paul
Chandler’s 1993 film Sutton Park – Prison in the Sun with guest
narrators from the cast, and Andy Ching’s science-fiction story, The
Last Experiment.
Occasionally, the tapezine
would get a holiday and be recorded in exotic places around England –
and even the Sixth Doctor, actor Colin Baker, appeared on one of the
issues and claimed that he listened to each issue whilst driving his
car.
“I advertised Spotlight
in TV Zone and amongst friends, which resulted in others hearing
by word of mouth,” Elaine reveals. “Spotlight reached as far as
America and Australia, as well as across the UK. It’s difficult to
choose a favourite issue, as there was plenty of material that was
really interesting on all of them. If I had to choose then I’d plump for
Issue 14, which was the Hallowe’en / spooky stuff edition. I’m not a fan
of Hallowe’en as such, apart from the film, but I do like a good horror
or ghost story.”
Spotlight’s fifteenth
issue in April 1996 would prove to be its last, but it was not intended
as such. Issue 16 went into production, but 1996 saw a lot of changes in
Elaine’s personal life and other priorities came to the fore.
Consequently, the issue was never completed. “A few times over the
years, I have considered doing a proper finale for Spotlight, but
felt that maybe it was best left alone. However, I could be wrong!”
Elaine admits. “And so, Spotlight came to an end. Happy days and
times. I’d like to thank those who inspired me, contributed and
supported Spotlight during its run. So, thank you. You know who
you are!”
Supplementing her commitments to Spotlight, Elaine Musselwhite
(née Bull) appeared in several film productions written by tapezine
customer David Aldridge and Rayphase Shift stalwarts Paul
Chandler, Andy Ching and Nick Goodman during the 1990s. She also made
cameo appearances in Paul Chandler’s The Copernicus Files (2000)
and Nick’s A Gift from Eternity (2003). She continues to
appreciate and support all things Doctor Who.
A rich and amiable
production with a talented band of contributors, Spotlight was
a survivor. The flexibility of its remit is arguably what kept it
fresh, and when it drew to a close, it went out with some fuel still
in the tank, which was perhaps the best way.
In bringing Spotlight
together, Elaine Bull took the central ideas that her friends Paul
Chandler and Keith Musselwhite had developed, ran with them and made the
whole thing very much her own. In doing so, she produced a tapezine that
truly had Paul’s ‘little bit of everything’ and gave the contributors
the ‘power’ to look at anything they wished to, much as Keith had
intended.
Spotlight issues were
consistently entertaining, offering a variety of content that often
dared its listeners to go beyond Doctor Who and try out other
flavours of television. Doctor Who was of course still a part of
the mix which was not surprising as the great majority of the
contributors had the series as their first love.
While Spotlight was
not entirely out on its own as a cult TV tapezine, it was certainly
unique in its decision to include original drama not linked to a known
television series or other media property: Sutton Park – Prison in
the Sun ran over eight episodes between issues 8 and 11.
Today, we are accustomed to
building networks of pooled talent, with everything so easily
facilitated by the internet. Fandom was less directly connected on a
peer-to-peer level in the early- to mid-1990s, but Elaine skilfully
brought together a community of contributors and listeners – and some of
those listeners became contributors – at a time when achieving such a
feat took a great deal of effort and commitment. When Spotlight
clicked off in 1996, it was the end of an era. A unique production, bold
and brave enough to include completely original drama as part of its
offer. Spotlight was one of the last of the tapezines, but – as
with many of its contemporaries – in its own small way it can be seen as
a step on the way to the modern day podcast.
Nick Goodman
SPOTLIGHT – ISSUE 1
December 1992-January 1993, C-90
Side A:
-
Introduction
by Paul Chandler and Elaine Bull
-
Kid Vid –
Children’s Cartoons by Jon Kolchak Pertwee
-
Review:
Earthshock by Graham Walters
-
Crash – A
Look at Casualty by Elaine Bull
-
Raffles
by Nick Goodman
-
Interview:
Film Maker Paul Chandler by Elaine Bull
Side B:
-
Excerpt:
Absolutely Fabulous Series 1
-
Jo Grant –
My Favourite Companion by Russell Buer
-
Humour:
The Interview by Darren Powis and Mike Joy
-
A Tingle
Down the Spine by Jon Kolchak Pertwee
-
The Kids’
View: Gerry Anderson Series by Steven Bull and Mark Bull
-
Interview:
Richard Hage, Freelance Assistant Film Editor, by Elaine Bull
-
Review:
Dastardly and Muttley in Their Flying Machines by Andrew
Trowbridge
-
Film
Trailer: The Retaliators – Dances With Wolves (amateur
production)
-
Commercial:
Rayphase Shift 7 by Nick Goodman
-
Spotlight 1 Sign Off by Elaine Bull
SPOTLIGHT – ISSUE 2
March 1993, C-90
Side A:
-
Introduction
by Elaine Bull
-
Review:
Blake’s 7 – Sarcophagus by Elaine Bull
-
An
Interloper Comments by Paul Chandler
-
Review:
Press Gang by Nick Goodman
-
Kid Vid
Returns by Jon Kolchak Pertwee
-
Humour:
TV Continuity by Darren Powis and Mike Joy
-
Humour: A
Message to Spotlight from Donald Sinden by Jon Kolchak Pertwee
-
Storytime:
Scumbag and the Spot by Chris Barnatt
Side B:
-
A Letter
from a Listener by Chris Barnatt
-
Excerpt:
French and Saunders
-
Interview:
Paul Chandler Talks Aussie Soaps with Elaine Bull
-
Review:
Porterhouse Blue by Andrew Trowbridge
-
Excerpt:
I’m Sorry I’ll Read That Again – The Julie Andrews Songbook
-
Spotlight
2 Sign Off by Elaine Bull
-
Commercial:
Spotlight 3 including Doctor Who – The Cherished Enemy
-
Instrumental Music by Christine ‘Roo’ Toups
SPOTLIGHT – ISSUE 3
July 1993, C-90
Side A:
-
Introduction
by Elaine Bull
-
Drama:
Doctor Who – The Cherished Enemy – Episode 1 by Greg Walter and
Chris Tennyson and featuring Greg Walter, Joe Parlin, Alex Campbell,
Chris Tennyson, Bill Garner, Steve Janssen, Archie Foor and Robert
Gunn
-
An
Appreciation of Gerry Anderson by Graham Walters
-
Review:
Sapphire and Steel by Peter Dickinson, read by Elaine Bull
-
Interview: A
Day in the Life of a Wood Louse by Andrew Reid with Paul Chandler
-
Tribute:
Jacqueline Hill by Elaine Bull
-
My Memories
of Jacqueline Hill by Graham Walters
-
Commercial:
Spectrum by Andrew Trowbridge
Side B:
-
Review:
The Stranger – In Memory Alone (BBV Video) by Elaine Bull
-
Commercial:
Spotlight 4 by Elaine Bull
-
Review:
Catweazle by Andrew Trowbridge
-
Spotlight
Greetings from James Bond by ‘Sean Connery’ and ‘Roger Moore’ (Jon
Kolchak
Pertwee)
-
Brief
Review: Spotlight by Paul Chandler
-
Video Buying
Guide: Space: 1999 by Nick Goodman
-
My Memories
of Jacqueline Hill by Paul Chandler
-
Spotlight
Quiz by Elaine Bull and Co.
-
Commercial:
Doctor Who 2000 19 by Neil Hogan
-
Excerpt:
Are You Being Served? – German Week
-
Spotlight
3 Sign Off by Elaine Bull
-
Commercial:
Spotlight by Elaine Bull
-
Excerpts:
Are You Being Served?, The Magic Roundabout and The
Good Life
SPOTLIGHT – ISSUE 4
September 1993, C-90
Side A:
-
Excerpt:
I’m Sorry I’ll Read That Again – Censoring Tom Jones
-
Introduction
by Elaine Bull
-
Drama:
Doctor Who – The Cherished Enemy – Episode 2 by Greg Walter and
Chris Tennyson and featuring Greg Walter, Joe Parlin, Alex Campbell,
Chris Tennyson, Bill Garner, Steve Janssen, Archie Foor and Robert
Gunn
-
Spotlight
Spot: Hart Beat (BBC Children’s Art Series) by Chris Barnatt
-
Star Trek
and its Sequels by Graham Walters
-
Outtake from
Issue 3’s Catweazle article featuring Andrew Trowbridge
-
Discussion:
The Hokey-Cokey by Andrew Reid and Paul Chandler
-
The End of
Side 1 by Steven and Mark Bull
Side B:
-
Review: V
(US SF series) by Jon Kolchak Pertwee
-
Hellos from
Sylvester McCoy and Debbie Watling
-
Review:
Watch With Mother including Andy Pandy by Elaine Bull
-
Excerpt:
Play Away – The Court of King Caractacus sung by Brian Cant,
Jeremy Irons and Julie Stevens
-
Convention
Guest Panel: Sophie Aldred and Sylvester McCoy (US Convention, 1993)
-
Review:
The Tomorrow People – The Dirtiest Business by Nick Goodman
-
Commercial:
Spectrum Street by Andrew Trowbridge
-
Humour:
Toshy and Nasty by Darren Powis and Mike Joy
-
Answers to
Issue 3 Quiz by Elaine Bull
-
Spotlight 4 Sign Off by Elaine Bull
SPOTLIGHT – ISSUE 5:
DOCTOR WHO 30 YEARS SPECIAL
November 1993, C-90
Side A:
-
Excerpts:
The Robots of Death and An Unearthly Child
-
Introduction
by Elaine Bull
-
Drama:
Doctor Who – The Cherished Enemy – Episode 3 by Greg Walter and
Chris Tennyson and featuring Greg Walter, Joe Parlin, Alex Campbell,
Chris Tennyson, Bill Garner, Steve Janssen, Archie Foor and Robert
Gunn
-
Spotlight
Spot: V (US SF series) by Chris Barnatt
-
Doctor
Who – Robot by Steven and Mark Bull
-
Humour: A
Wood Louse in the Studio by Paul Chandler and Elaine Bull
-
Commercial:
Spectrum – Kaboomwatch by Andrew Trowbridge
-
Humour: Bob
Dylan Sings Rubbish by Darren Powis and Mike Joy
-
Excerpts:
Hi-De-Hi! and The Lenny Henry Show
-
Television
View: The Dark Dimension and Eldorado by Derek Gray
Side B:
-
Review:
Mister Benn by Andrew Trowbridge
-
Review:
Doctor Who – The Paradise of Death by Elaine Bull
-
Audio Letter
about Rayphase Shift and Sutton Park – Prison in the Sun
from Nick Goodman
-
Spotlight 5 Sign Off by Elaine Bull
SPOTLIGHT – ISSUE 6
January 1994, C-90
Side A:
-
Introduction
by Elaine Bull
-
Drama:
Doctor Who – The Cherished Enemy – Episode 4 by Greg Walter and
Chris Tennyson and featuring Greg Walter, Joe Parlin, Alex Campbell,
Chris Tennyson, Bill Garner, Steve Janssen, Archie Foor and Robert
Gunn
-
Review:
Cluedo (TV game show) by Elaine Bull
-
Book
Reviews: The Power of the Daleks and The Evil of the
Daleks by Russell Buer
-
The Big
Breakfast by Robert Kelly
-
The Film
Flashback: John Carpenter’s The Thing by Jon Kolchak Pertwee
-
Excerpts:
The Box of Delights and Doctor Who – The Space Pirates
Side B:
-
An
Alternative Review: TV Tie-in Books by Paul Chandler and Elaine Bull
-
Song:
Away in a TARDIS and others by The Inflatable Dolls (Elaine Bull
and Deborah Raikes)
-
Excerpts: TV
Outtakes including Jim Bowen on Bullseye
-
What Doctor
Who Means to Me by Andrew Dexter
-
Excerpt:
Red Dwarf – Quarantine
-
Chris
Barnatt Waffles Entertainingly by Chris Barnatt
-
The Oprah
Winfrey Show by Nick Goodman
-
Interviews:
Keith Musselwhite, Elaine Bull, Andrew Candish and Lisa Parker talk
to Nick Goodman about Spotlight’s new serial, Sutton Park
– Prison in the Sun
-
Spotlight
6 Sign Off by Elaine Bull
-
ITV
Trailer: Emmerdale – Aftermath of Disaster
SPOTLIGHT – ISSUE 7
March 1994, C-90
Side A:
-
Excerpt:
Doctor Who - The Chase
-
Introduction
by Elaine Bull
-
Forms of
Transport on the Television by Paul Chandler and Elaine Bull
-
Excerpt:
Victoria Wood As Seen on TV including Acorn Antiques
-
Review:
Euston Films’ Jack the Ripper by Elaine Bull
-
Musical
Interlude: Chewing Toffee to Partners in Crime by Chris
Barnatt
-
The
Crystal Maze by Chris Barnatt
-
Commercial:
Pen Pals by Jon Kolchak Pertwee
-
Commercial:
Jingle Jangle Magazine by Elaine Bull
-
Interview:
‘Pedro’ (Keith Musselwhite) with Nick Goodman
-
Side 1 Sign
Off by Elaine Bull
-
Excerpt:
Blake’s 7
Side B:
-
Humour:
Audrey’s Plastic Surgery by Deborah Raikes and Elaine Bull
-
Review:
The Tripods by Greg Walter
-
Behind the
Scenes on Sutton Park – Prison in the Sun with Nick Goodman
and Andrew Trowbridge
-
Spotlight
7 Sign Off by Elaine Bull
-
Commercial:
Spotlight by Elaine Bull
-
Excerpt:
Absolutely Fabulous
SPOTLIGHT – ISSUE 8
May 1994, C-90
Side A:
-
Introduction
by Elaine Bull
-
Review:
Victoria Wood As Seen on TV – Acorn Antiques by Elaine Bull
-
Drama:
Sutton Park – Prison in the Sun – Episode 1 by Paul Chandler and
Nick Goodman, narrated by Paul Chandler and featuring Elaine Bull,
Andrew Candish, Paul Chandler and Lisa Parker
-
Discussion:
Doctor Who – The Cherished Enemy with Greg Walter and Joe
Parlin
-
Professor
Joy Discusses Spotlight with Darren Powis and Mike Joy
-
Don’t
Americanise My Peter Davison! by Betty Nugent
-
Excerpt:
Sophie Aldred on American Television
Side B:
-
Drama:
Sutton Park – Prison in the Sun – Episode 2 by Paul Chandler and
Nick Goodman, narrated by Nick Goodman and featuring Gareth
Brownbill, Elaine Bull, Andrew Candish, Paul Chandler, Nick Goodman,
Keith Musselwhite, Lisa Parker and Andrew Trowbridge
-
Classic
Commercials by Richard Callaghan
-
Excerpt:
Sophie Aldred on American Television
-
Review:
Eldorado by Nick Goodman
-
Explaining
Sutton Park – Prison in the Sun by Mark Bull, Steven Bull and
Elaine Bull
-
Review:
Sutton Park – Prison in the Sun by Mark Bull and Steven Bull
-
Commercial:
Spectrum Street – Prisoner Cell Block S by Andrew Trowbridge
-
Commercial
Cock-up: Spectrum Street – Prisoner Cell Block S by Andrew
Trowbridge
-
Spotlight 8 Sign Off by Elaine Bull
SPOTLIGHT – ISSUE 9
July 1994, C-90
Side A:
-
Introduction
by Elaine Bull
-
Excerpt:
The Late Show with David Letterman – Peter Davison
-
Drama:
Sutton Park – Prison in the Sun – Episode 3 by Paul Chandler and
Nick Goodman, narrated by Andrew Candish and featuring Gareth
Brownbill, Elaine Bull, Andrew Candish, Paul Chandler, Nick Goodman,
Keith Musselwhite, Lisa Parker and Andrew Trowbridge
-
Australian
Commercial: Keep Australia Beautiful – ‘It’s A Conspiracky!’
-
Review:
The Green Death by Darren Powis
-
Review:
The Late Show with David Letterman by Greg Walter
-
Excerpt:
The Making of Doctor Who – Silver Nemesis (New Jersey Network)
-
Danny and
the Bear read by Mark Bull and Steven Bull with Elaine Bull
-
Commercial:
Rayphase Shift by Nick Goodman
Side B:
-
Drama:
Sutton Park – Prison in the Sun – Episode 4 by Paul Chandler and
Nick Goodman, narrated by Elaine Bull and featuring Gareth
Brownbill, Elaine Bull, Andrew Candish, Paul Chandler, Nick Goodman,
Keith Musselwhite, Lisa Parker and Andrew Trowbridge
-
Review:
Married – with Children by Andrew Trowbridge
-
Review:
Red Dwarf IV – Camille by Elaine Bull
-
Commercial:
Darren Powis’ Doctor Wallop by Elaine Bull
-
Spotlight
9 Sign Off by Elaine Bull
-
Excerpt:
The Kenny Everett Television Show
SPOTLIGHT – ISSUE 10
September 1994, C-90
Side A:
-
Introduction
by Elaine Bull
-
Drama:
Sutton Park – Prison in the Sun – Episode 5 by Paul Chandler and
Nick Goodman, narrated by Lisa Parker and featuring Gareth
Brownbill, Elaine Bull, Andrew Candish, Paul Chandler, Nick Goodman,
Keith Musselwhite, Lisa Parker and Andrew Trowbridge
-
Commercial:
Sutton Park – Prison in the Sun on Video by Elaine Bull
-
American and
British Science Fiction Television by Greg Walter
-
Excerpt:
The Making of Doctor Who – Silver Nemesis (New Jersey Network)
-
Excerpt:
Good Morning with Anne and Nick with Anne Diamond, Nick Owen and
Peter Davison and a question from Elaine Bull
Side B:
-
Soothing
Thoughts by Chris Barnatt
-
Side 2
Introduction by Elaine Bull
-
Drama:
Sutton Park – Prison in the Sun – Episode 6 by Paul Chandler and
Nick Goodman, narrated by Andrew Trowbridge and featuring Gareth
Brownbill, Elaine Bull, Andrew Candish, Paul Chandler, Nick Goodman,
Keith Musselwhite, Lisa Parker and Andrew Trowbridge
-
Review:
Timeslip by Graham Walters
-
Spotlight
Spot: The Crystal Maze by Chris Barnatt
-
Spotlight
10 Sign Off by Elaine Bull
-
Excerpt:
The Brain of Morbius
SPOTLIGHT – ISSUE 11
December 1994 / January 1995, C-90
Side A:
-
Introduction
by Elaine Bull
-
EastEnders from an American Perspective by Greg Walter
-
Excerpt:
The Making of Doctor Who – Silver Nemesis (New Jersey Network)
-
Drama:
Sutton Park – Prison in the Sun – Episode 7 by Paul Chandler and
Nick Goodman, narrated by Nick Goodman and featuring Gareth
Brownbill, Elaine Bull, Andrew Candish, Paul Chandler, Nick Goodman,
Keith Musselwhite, Lisa Parker and Andrew Trowbridge
-
Humour:
Punting on the Cam with Spotlight by Keith Musselwhite and
Elaine Bull
-
Review:
Monty Python’s Flying Circus by Graham Walters
-
Review:
The Late Show with David Letterman by Karen Parks
-
I’ve Just
Seen John Birt as a Dalek with Andrew Trowbridge and Nick Goodman
Side B:
-
Humour:
Nyder Interrogates Spotlight by Keith Musselwhite and Elaine
Bull
-
Side 2
Introduction by Elaine Bull
-
Drama:
Sutton Park – Prison in the Sun – Episode 8 by Paul Chandler and
Nick Goodman, narrated by Nick Goodman and featuring Robin Archer,
Gareth Brownbill, Elaine Bull, Andrew Candish, Paul Chandler, Nick
Goodman, Keith Musselwhite , Lisa Parker and Andrew Trowbridge
-
Excerpt:
The Five Doctors
-
Review:
Doomwatch by Nick Goodman
-
Musical
Interlude: Sing-A-Long by Jon Kolchak Pertwee with Frank
Sinatra
-
Review:
Mother Goose pantomime starring Peter Davison and Sylvester
McCoy by Keith Musselwhite
-
Audio
Letter: Can I Possibly Catch Up with Spotlight? by Chris Barnatt
-
Christmas
Television Highlights 1994 by Elaine Bull
-
Spotlight 11 Sign Off by Elaine Bull
SPOTLIGHT – ISSUE 12
May 1995 (delayed from March 1995), C-90
Side A:
-
Introduction
by Elaine Bull
-
Review:
The Changes by Nick Goodman
-
Humour:
The Great Healer by Keith Musselwhite and Elaine Bull
-
Review:
Jurassic Park by Greg Walter and Chris Tennyson
-
News: Steven
Spielberg’s Doctor Who by Elaine Bull
-
A Greeting
to Spotlight Listeners by Colin Baker
-
Review:
The Flipside of Dominick Hide by John Fisher
-
Television
Signature Tunes by Kenneth McGuinness
-
Excerpt:
Absolutely Fabulous
Side B:
-
Another
Untrue Story: Andrex by ‘Warbling Wilf Windbag’ (Keith
Musselwhite)
-
Review:
The Goodies by Andrew Trowbridge
-
Review:
French and Saunders by Elaine Bull
-
Spotlight 12 Sign Off by Elaine Bull
SPOTLIGHT – ISSUE 13
August 1995, C-90
Side A:
-
Introduction
by Elaine Bull
-
Review:
Hammer House of Horror – Two Faces of Evil by Elaine Bull
-
Review:
Ghostwatch by John Fisher
-
Drama:
Inquisition-In-Law – Episode 1 by Nick Goodman, featuring Andrew
Candish, Nicky Jones, Richard Clarke and Claire Martin
-
Review:
Batman by Jon Kolchak Pertwee
-
Fiction:
Blake’s 7 – All in a Dream written and read by Elaine Bull
-
Excerpt:
The Kenny Everett Television Show
Side B:
-
The
Making of the Hitchhiker’s Guide to the Galaxy by Greg Walter
and Joe Parlin
-
Another
Untrue Story: The Tale of the Pet Shop Boys by ‘Warbling Wilf
Windbag’ (Keith Musselwhite)
-
Drama:
Inquisition-In-Law – Episode 2 by Nick Goodman, featuring Andrew
Candish, Nicky Jones, Richard Clarke and Claire Martin
-
Without
Effects by Paul Chandler
-
Top of
the Pops – Special Spotlight Edition by Keith Musselwhite
-
Spotlight
13 Sign Off by Elaine Bull
-
Coming Next
Issue – The Last Experiment
SPOTLIGHT – ISSUE 14:
HALLOWEEN SPECIAL (DOUBLE ISSUE)
October 1995, C-60 + C-90
Side A:
-
A Welcome
from Bela Lugosi by Jon Kolchak Pertwee
-
Introduction
by Elaine Bull
-
Review:
Strange But True by John Fisher
-
Fiction:
The Last Experiment – Episode 1 written and read by Andy Ching
-
Excerpt:
BBC Sound Effects No. 13 – Death and Horror
-
Alfred
Hitchcock Welcomes You to Spotlight by Jon Kolchak Pertwee
-
Coming Up on
Side 2
-
Vincent
Price and Igor Guard the End of Side 1 by Jon Kolchak Pertwee
Side B:
-
Film
Flashback: John Carpenter’s Halloween by Jon Kolchak Pertwee
-
Review:
K-9 and Company – A Girl’s A Best Friend by Keith Musselwhite
-
Fiction:
The Unknown Beginning written and read by Elaine Bull
-
Peter Lorre
and the Spools of Spotlight by Jon Kolchak Pertwee
-
Excerpt:
The Black Adder – The Foretelling
-
Excerpts:
BBC Sound Effects No. 13 – Death and Horror and Round the
Horne
Side C:
-
Excerpt:
The Hound of the Baskervilles
-
Review:
State of Decay by Elaine Bull
-
Halloween
Pranks from History: Orson Welles’ War of the Worlds by
Graham Walters
-
Review:
Sapphire and Steel – The Railway Station by Nick Goodman
Side D:
-
Excerpt:
BBC Sound Effects No. 13 – Death and Horror
-
Review:
Hancock’s Half Hour – The 13th of the Month by Paul Chandler
-
Review:
The Herbs by Andrew Trowbridge
-
Fiction:
The Last Experiment – Episode 2 written and read by Andy Ching
-
Spotlight
14 Sign Off by Elaine Bull
-
Excerpts:
Moondial, BBC Sound Effects No. 13 – Death and Horror,
The Fly and Children of the Stones
-
A Plea for
Tapes of The Black Box Club by Elaine Bull
SPOTLIGHT – ISSUE 15
April 1996, C-90
Side A:
-
Let’s Join
Good Spotlight with Fan and Dick by Keith Musselwhite
-
Introduction
by Elaine Bull and Keith Musselwhite
-
Review:
Henry’s Cat by Chris Barnatt
-
Fiction:
Jonathan Lewis’ The Plant by John Fisher
-
Fiction:
The Last Experiment – Episode 3 written and read by Andy Ching
-
Review:
Sonic Waves and The Doctors’ Schooldays by Elaine Bull
-
Excerpt:
The Doctors’ Schooldays by Daniel Cohen, Adam Vanger and Steve
Watts (sourced from Sonic Waves)
Side B:
-
Fiction:
Blake’s 7 – Back to Normal written and read by Elaine Bull
-
Auntie
Spot’s Lotion: a letter from Peter Dickinson, introduced and read by
Elaine Bull, with audio letters from Nick Goodman and Lisa Wardle
-
Review:
It Ain’t Half Hot Mum by Keith Musselwhite
-
Review:
Danger Mouse by Elaine Bull
-
Spotlight
15 Sign Off by Elaine Bull
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